History of China Since 1800
February 18, 2026
Boost to PRC prestige
Revolutionary diplomacy
Domestic boost
Korean War
Domestic campaigns
Max Weber
Antonio Gramsci
Establishing order
Change behavior and attitude
Complete development tasks
Pillars of control:
| Organization | Unit | Salaried? | Population |
|---|---|---|---|
| Municipal gov | City | Y | Several hundred thousand |
| District gov | District | Y | |
| Street Committees | Subdistrict | Y | ~8 neighborhoods |
| Residents’ Committees | Neighborhoods | N | Several hundred households |
| Residents’ Small Groups | Block, building, lane, etc. | N | 15-40 households |
Suppression of Counter-revolutionaries (1950)
Three Anti campaign (1951–1952)
Five Anti campaign (1952–1953)
Socio-political transformation:
Economic development:
Early mobilization:
Radical phase:
Coercive phase:
| Campaign | Year(s) |
|---|---|
| Aid Korea / Resist America Patriotic Campaign | 1950 |
| Campaign to Suppress Counterrevolutionaries | 1951 |
| Land Reform Campaigns | 1951 |
| “Three Antis” Campaign | 1951–1952 |
| “Five Antis” Campaign | 1952–1953 |
| Collectivization Campaign | Mid-1950s |
| “Sufan” (Clearing Out Historical Counterrevolutionaries) | 1955 |
| Hundred Flowers and Anti-Rightist Campaign | 1957 |
| Great Leap Forward (and sub-campaigns) | 1958 (and beyond) |
| Socialist Education Campaign | 1963 |
| Cultural Revolution | 1966–1976 |
There is the political criterion and there is the artistic criterion; what is the relationship between the two? […] We deny not only that there is an abstract and absolutely unchangeable political criterion, but also that there is an abstract and absolutely unchangeable artistic criterion; each class in every class society has its own political and artistic criteria. But all classes in all class societies invariably put the political criterion first and the artistic criterion second. […]
What we demand is the unity of politics and art, the unity of content and form, the unity of revolutionary political content and the highest possible perfection of artistic form. Works of art which lack artistic quality have no force, however progressive they are politically. Therefore, we oppose both the tendency to produce works of art with a wrong political viewpoint and the tendency towards the “poster and slogan style” which is correct in political viewpoint but lacking in artistic power. On questions of literature and art we must carry on a struggle on two fronts.
Look around, then focus on one image:
Socialist Realism: Ideological Goals