S19: Half the Sky

History of China Since 1800

February 18, 2026

Mei Lanfang

Mei Lanfang

Mei Lanfang (1894-1961)
  • Mei Lanfang was a legendary Chinese opera performer born in 1894 in Beijing.
  • He started training in Peking Opera at age 8 and debuted on stage at 11.
  • He became famous for playing female roles, especially the “Flower-Shattering Diva.”
  • He stopped performing for five years during Japanese occupation, returning in 1946.
  • Joined the Chinese Communist Party in 1959 and died in Beijing in 1961.

Key questions

Marc Riboud: Kunming Factory Dormitory, 1965
  • Urban and rural revolutions: How did they change China?
  • What are political campaigns? How did they work?
  • How did ordinary Chinese experience the revolution? Did women have a Communist Revolution?

Recap: Korean War

A Korean boy amid the ruins of his home, all that remained after Americans bulldozed a path through civilian homes in Hungnam, North Korea, in December 1950. David Douglas Duncan
  • 1953-07: Armistice concluded, with 4-km demilitarized zone along 38th and exchange of PoWs
  • 600K Chinese killed, another 400K+ wounded
  • 36K Americans, 520K North Koreans, 400K South Koreans
  • Third deadliest war of the 20th century
  • Military expenditures comprising of 55% of PRC gov spending, diverted from other programs

Korean War: A Good War?

Boost to PRC prestige

  • China as a rising international power
  • Able to defend itself against superior American forces
  • Not just a dependent satellite of the Soviet Union

Revolutionary diplomacy

  • China as a protector and defender of non-Western countries
  • Support of Viet Minh in war against the French
  • Support to North Korean and North Vietnamese communist governments

Domestic boost

  • Regime consolidation, popular mobilization, and total transformation of Chinese society

Korean War and Communist State-building

Korean War

  • 1950-10-08: China entered Korean War
  • 1953-07-27: Armistice concluded

Domestic campaigns

  • 1950-1952: Land reform
  • 1951: Suppression of counter-revolutionaries (GMD holdouts and secret societies in urban areas)
  • 1951-1952: Three Anti Five Anti, targeting party cadres and urban industrialists
  • 1952: State planing commission established
  • 1953: First Five Year Plan

How to build a state?

Max Weber

  • Administrative institutions make the state visible and intelligible.
  • States are comprised of formal organizations, which are in turn formed, staffed, and deployed by human agents.

Antonio Gramsci

  • Cultural hegemony refers to domination or rule maintained through ideological or cultural means.
  • Think about culture and tactics: how do state policies and the way in which they are implemented shape state capacity? How do citizens accept the norms and ethos of the state?

Urban revolution

Establishing order

  • Campaign to suppress counter-revolution
  • Political vetting of civil servants and party officials
  • Registration of urban population – fixing population in place

Change behavior and attitude

  • Campaigns against crime, drugs, sex trade
  • Thought reform of bourgeois intellectuals

Complete development tasks

  • Collectivization of services and handicrafts
  • Nationalization of industry

Controlling the urban population

Marc Riboud: Antique window shop in Liulichang, Beijing, 1965

Pillars of control:

  • Neighborhood organization
  • Household registration
  • Work unit
  • Personal dossiers

Neighborhood organization

Organization Unit Salaried? Population
Municipal gov City Y Several hundred thousand
District gov District Y
Street Committees Subdistrict Y ~8 neighborhoods
Residents’ Committees Neighborhoods N Several hundred households
Residents’ Small Groups Block, building, lane, etc. N 15-40 households

Household registration

Marc Riboud: Man with child, 1965
  • 1955: Permanent system of population registration established
  • Linchpin for administering urban China, with identity and services – food, employment, health care – tied
  • Differentiated citizenship: Urban vs. Rural divide institutionalized

Work unit system

Marc Riboud: Canteen of a factory in Anshan, 1957
  • From cradle to death: Housing, goods, services formerly provided by private establishments
  • Locus of personal identity: Self-contained communities with near permanent employment
  • Organs of political and social control: Organization of political study, Approval of marriage diverse, Travel authorization, etc.

Campaign Time in 20th Century China

New Life Movement, Card Number 31, front. Courtesy of Charlotte Brooks. Museum of Chinese in America (MOCA) Collection.
  • 1920s: mass social movements in Republican China protesting weak, corrupt governments and foreign imperialism.
  • “Campaign” encompassed diverse uses: physical exercise, military campaigns, grassroots protests, and state-led mobilizations by both Communist and Nationalist parties.
  • Goal: extraordinary mobilization of people and resources to implement a specific program to accomplish particular goals in a defined period of time.

Patriotic Hygiene Campaign (1950)

To do a good job in epidemic prevention and hygiene work is concrete patriotic behavior in the battle to smash American imperialist germ warfare!

Everybody must take precautions against epidemics to smash the germ warfare of American imperialism!

Major Campaigns

Suppression of Counter-revolutionaries (1950)

  • Civil servant hold-overs from the GMD
  • Urban secret societies

Three Anti campaign (1951–1952)

  • Waste
  • Corruption
  • Bureaucratism

Five Anti campaign (1952–1953)

  • Corruption
  • Tax evasion
  • Stealing state property
  • Cheating on state contracts
  • Stealing state economic secrets

Campaign Time: Twin Goals

Docker, Shanghai, 1957

Socio-political transformation:

  • Changing thought and social relations

Economic development:

  • Collectivize agriculture, socialize commerce, etc. through superhuman efforts

Campaign Time: Three Key Stages

Early mobilization:

  • Intense political study
  • Work and production disrupted

Radical phase:

  • Concrete targets identified for struggle session
  • Organizational changes implemented on a trial basis

Coercive phase:

  • Formal punishment
  • Quota fulfilled

Campaign as governing technique

Marc Riboud: Demonstration against the war in Vietnam, Beijing, 1965
  • Mao’s China as campaign state: at least one major campaign every year until 1976
  • Tension and struggle are necessary for educating the people – and for defeating political enemies
  • Bureaucracy: Instrument of rule, but also obstacle and source of frustration
  • Disruption as feature, not a bug: campaigns as necessary adjunct to regularized party propaganda and coercion

Paradox of Political Campaigns

  • Campaigns are temporary, intense efforts to achieve a specific goal using lots of resources.
  • Campaigns became a policy fixture during the Mao era.
Campaign Year(s)
Aid Korea / Resist America Patriotic Campaign 1950
Campaign to Suppress Counterrevolutionaries 1951
Land Reform Campaigns 1951
“Three Antis” Campaign 1951–1952
“Five Antis” Campaign 1952–1953
Collectivization Campaign Mid-1950s
“Sufan” (Clearing Out Historical Counterrevolutionaries) 1955
Hundred Flowers and Anti-Rightist Campaign 1957
Great Leap Forward (and sub-campaigns) 1958 (and beyond)
Socialist Education Campaign 1963
Cultural Revolution 1966–1976

Room A

Dmitri Baltermants: A Life

  • Polish-born Russian photographer
  • From 1941 to 1945, he traveled with the Soviet army through Poland, the Ukraine, and Berlin.
  • Gained early fame for his World War II combat photographs on the Russian front.
  • Served as the official photographer for visits of Nikita Krushchev to China and Leonid Brezhnev to the United States.

Dmitri Baltermants: Attack

Dmitri Baltermants: Attack, censored

  • Soldiers leaping across a trench with bayonets, directly over the photographer.
  • Slightly out of focus to emphasize action and speed.
  • Cropped to show only part of a body and the legs of the closest soldier.
  • The political board questioned the composition, asking “Half a man running?”.

Mao on Literature and Art

There is the political criterion and there is the artistic criterion; what is the relationship between the two? […] We deny not only that there is an abstract and absolutely unchangeable political criterion, but also that there is an abstract and absolutely unchangeable artistic criterion; each class in every class society has its own political and artistic criteria. But all classes in all class societies invariably put the political criterion first and the artistic criterion second. […]

Mao on Literature and Art, continued

What we demand is the unity of politics and art, the unity of content and form, the unity of revolutionary political content and the highest possible perfection of artistic form. Works of art which lack artistic quality have no force, however progressive they are politically. Therefore, we oppose both the tendency to produce works of art with a wrong political viewpoint and the tendency towards the “poster and slogan style” which is correct in political viewpoint but lacking in artistic power. On questions of literature and art we must carry on a struggle on two fronts.

Socialist Realism: Ideological Goals

  • Socialist realism in Soviet press photography aimed to be visually simple, intelligible, and motivating, orienting viewers towards communism.
  • “Winners’ culture” in imagery: Achievements and progress as inherently positive values.
  • Photographers became creators of new icons, and their subjects as state-sanctioned role models for the general population.
  • This emphasis on growth and development became an oppressive mechanism of propaganda power.

Discuss

Look around, then focus on one image:

  • What do you see? Describe the people, activities, objects, etc. depicted.
  • What is the image about?
  • What is visible? What is invisible?
  • Can the image be looked at different ways? What elements are open to interpretation?

Andy Warhol on Mao

  • Nixon’s visit to China in 1972 inspired Andy Warhol to create 199 silkscreen paintings of Mao between 1972 and 1973.
  • Fascinated with celebrity, Warhol used his signature silkscreen process to transfer Mao’s portrait onto canvas.

Making Mao Prints

Discuss: Revolutionary Kitsch

  • Kitsch: Art and design that is perceived as cheap, vulgar and sentimental forms of popular and commercial culture
  • Is it authentic art, kitsch, or both? Is the work challenging the boundary?
  • Is there a a parallel between political propaganda and capitalist advertising?
  • Mao as kitsch object: Never-ending cult, legitimate nostalgia, poor taste, or playful irony?

Discuss: Zao Wu-ki

  • How successful is Zao Wou-ki in combining Chinese essence with Western art form?
  • Calligraphic art requires a light touch, allowing the white of the paper to breathe, but oil paintings can feel heavy and weighty.
  • How could Chinese and Western artistic traditions be combined?

Room B

Discuss: Farewell My Concubine

Young Dieyi

Xiaolou and Dieyi

“I am by nature a girl”

Love Triangle

Juxian

Siye

Love Triangle, continued

Life Imitates Art?

Old Guards, New Order

Art in Service of Politics?

Loyalty vs. Betrayal

Loyalty vs. Betrayal, continued

Loyalty vs. Betrayal, continued

Loyalty vs. Betrayal, continued

Masking Emotions

Masking Emotions, continued

Farewell My Concubine: What is the subject?

  • Tragic romance among Cheng Dieyi, Duan Xiaolou, Juxian, Yuan Siye
  • Peking Opera (as essence of Chinese “national culture”)
  • Chinese history (fall of Qing, war with Japan, civil war, early PRC, Cultural Revolution)